As a man thinketh in his heart; so is he. Proverbs 23:7

"Rejoice in the Lord alway: [and] again I say, Rejoice.

Let your moderation be known unto all men. The Lord [is] at hand.
Be careful for nothing; but in every thing by prayer and supplication with thanksgiving let your requests be made known unto God. And the peace of God, which passeth all understanding, shall keep your hearts and minds through Christ Jesus. Finally, brethren, whatsoever things are true, whatsoever things [are] honest, whatsoever things [are] just, whatsoever things [are] pure, whatsoever things [are] lovely, whatsoever things [are] of good report; if [there be] any virtue, and if [there be] any praise, think on these things. " -Philippians 4:4-9


Saturday, February 28, 2009

Life Drawing



On this session, I did not like the pose of the model so I chose to draw the upper portion of her torso. Conte Crayon



In class the assignment was to do a wash drawing with contour defining the body with as few strokes as possible.



This Conte crayon (below) sketch was a long session.

Tuesday, February 17, 2009

Life Drawing Class

Out of my artist funk...finally beginning to draw fast and effectively. It's been a long few weeks. This one is 20 minutes and it has the gesture and captures the pose and model fairly well.


Earlier the class did fast 1-3 minute gesture (below) drawings. I am seeing how important this is to get right. It is difficult and frustrating to do. This one the instructor liked very much. He let me know that he thought I was "getting it" and so I felt like a little kid getting patted on the head. Embarrassing good feeling.






This was a drawing exercise (below) from last week is designed to make the student "see" the nuances of the shapes in the human figure. It forces the artist to look at the model instead of focusing on the drawing. We were to draw for 20 seconds at a time focusing the eye on the model and drawing the shapes slowly . . . before looking back at the drawing for orientation. this is VERY slow drawing . . . a 20 minute drawing.

Tuesday, February 10, 2009

Illustration Lesson from Rob Howard - Cennini Forum




These are the preliminary rough sketches following the original formal assignment is below.

Create an illustration for a book cover.
DATE......02 February 2009
P.O. 277-009A
RATE ...$2800 plus model and costume fees
DUE DATE [Sketch]...09 Feb 09 [Finish]...13 Feb 09
TITLE: Deadly Love by Caroline Steele.
SYNOPSIS: set in an urban setting, Lucy is unaware that danger stalks her. A serial killer is on the loose and she is his next target. But her attentions are elsewhere since she met Charles. After only two weeks, the normally sceptical Lucy has been swept up in a love affair she's little too perfect.
This Hitchcockian thriller moves at a breath-taking pace with unexpected twists at every turn as a mysterious McGuffin falls into her lap, driving the story forward to it's final surprise ending.
Terms: 30 days from acceptance and billing. Supply copies of model and costume fees.
------------------------------------------------------------------
Rob said: "Pretty standard fare and deadline. The fee is from 30 years ago and, sadly, has not risen that much over the years. This is a paperback cover (measure one out and use those proportions). Leave room for the title but don't put it in.

Think of a paperback cover as a miniature poster that will be displayed on shelves next to other miniature posters. Your layout and color have to make it stand out from the pack.

Naturally, your characters will be beautiful, the settings will add to the tone and the cover will promise more than the book can deliver. In short, it's a potboiler and you have to make it stand out from hundreds of other potboilers. There's nothing wrong with making it classy and upscale. Just make it dynamic.

You can submit initial ideas before the 9th, but the final, accepted sketch must be on the art director's desk by the 9th. Finished art due on Friday the 13th.

HINT: do your thinking in pencil. Once the idea is done, then you can begin posing models and looking for photo reference. Do not start with photo reference and try to fit an idea around it."

***
This is the sketch he thought was the best.


Rob's critique: "Patti, I'm pleased at this, your first attempt at these assignments and you've kicked it off to a good start. The bottom middle is the one I'd choose for my basis. Your use of contrast has been excellent, conveying the violence of the mood. This definitely has the violence and i suspect that, using the same contrasts and layout, you could show a tender embrace and soft look and have it convey the impending violence. That would cover all of the bases. Keeping it to three tones is definitely the way to go here."

I will follow through and do a color comp and make some modifications for the title and author.

Thursday, February 5, 2009

February Life Drawing




Learning something new is hard to do but this will correct some bad habits and help me achieve the correct gesture no matter what. These are very quick drawings and not my best work but it shows how I'm progressing