The following are some tonal studies (about 8x10) from photos of great masterpieces printed in a book of about the same size. I did these to work on the five tonal ranges: Highlight, Halftone, Reflected Light Values, Shadow, Cast Shadow. I also attempted to "see" the expressions and replicate the feeling. Can you guess which drawing was the hardest?
#1
#2
#3
#4
#5
#6
#7
#8border="0" alt="Girl In Red Hat after Vermeer">
The fourth one was the hardest. The object was to express the height of femininity. All the edges were soft except for a very few. It took me many hours to draw this one. The last one number eight was also difficult because Vermeer is so complex and without color chroma, it was almost impossible to provide the punch it needed. All in all this was excellent exercise. I intend to do more especially since I finished Riven Pheonix five DVD on the structure of man...that is a real milestone. I can already see the mistakes I have made in these faces but I am getting there. Gee I am happy. January 31st I head to Cennini's Art Boot Camp and I am so ready to go.
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